from the heart / broadcast from the forest
YouTube Stream: https://youtu.be/QkRuvrCKlmE FB Live: https://www.facebook.com/events/3657073737698115/ From the heart… To kolejna edycje koncertu nadawanego z lasu. Bo one z ser
Live From The Forest
JOIN LIVE STREAM CONCERTS https://www.facebook.com/events/851685785308490/ It’s been a while since the world surprised us as much as in the past few days. With a loud and firm ST
Canal+ ”The King of Warsaw”
I am pleased to announce that have scored the most anticipated Polish TV Series in decades #TheKingofWarsaw directed by distinguished Jan P. Matuszynski based on the New York Time
Pułapka nominated to ”Sundtrack of the year Award” at FMF
The Krakow Film Music Festival, that already had the Kilar Award for Lifetime Achievement, the FMF Young Talent Award granted to young composers in an international competiti
Honorable Mention Award for the opera ”Frozen Children”
?”We get to the final and got an Honorable Mention Award for the Opera „Zimne Dzieci” (Frozen Children) libretto written by Patrycja Babicka , scenography and cos
Atanas to score a game for Sharkmob, Ex-Ubisoft Massive Developers
Meet Sharkmob game developer from Malmö! I’m glad to announce that during next months I’ll compose and produce music for an amazing game which is created in Sweden and other c
Love is Everything / Milosc jest Wszystkim SOUNDTRACK
Love Is Everything / Miłość jest wszystkim is set in December, during the Christmas preparation time. When a mysterious Santa appears in the city, the lives of the protagonists
Scoring THE TRAP / Pułapka
Atanas scored The Trap / Pułapka dir. by Łukasz Palkowski and produced by TVN. Olga, the main character of new TVN production, is the author of bestselling crime novels. Searchin
Atanas Valkov gościem Gali Jubileuszowej FMF 2017
Polish composers to join the FMF gala! Outstanding Polish composers – Abel Korzeniowski, Jan A.P.Kaczmarek, Maciej Zieliński and Atanas Valkov – will join the best comp
Atanas Valkov scored OSTATNIA RODZINA dir. by Jan P. Matuszyński
Exceptional camerawork and an unerring eye for period detail are boldly on display in Jan P. Matuszyński’s disturbing biopic of one of Poland’s best known 20th century painter

